Sunday, 15 December 2013

English Man Walking All Day to Create Massive Snow Patterns

English expert Simon Beck never stops to astonish us with his all-encompassing paintings of geometrical styles in snow. Each creatively spectacular piece, which Beck personally makes by strolling through the snow and making behind his track prints, contributes an exclusive element to its natural scenery. Walking myriad kilometers on end, the devoted specialist controls to produce amazingly shaped and intricate designs on the soft, white bed of snow that includes kilometers upon kilometers of land.
Simon Beck skills to not only travel through the slippery surface and icy temperature ranges but to also keep a record of his steps is extremely amazing. The superbly plotted details of the artist's perform supplement the untouched expanse of snow and ice assigned mountains  that include them each season. With the next winter time just around the corner, we're thrilled to see Beck's next sequence of creative snow events.












Friday, 6 December 2013

Majestic Bedford Panorama Bus

If you want to live in England looking for a place to stay that's off the beaten path, it’s a nice idea to try a Bedford Panorama Bus? This amazing bus was lovingly converted into a quaint living space situated near Hay-on-Wye, a small historic market town on the Herefordshire countryside of Wales.The bus has a striking wooden floor, painted pine boarding and a well thought-out dining, kitchen with hand-built units, oak worktops, a gas cooker and a fridge. You see in the picture that at the back is a cosy double bed and a wood-burning stove placed on an old flagstone. An “L” shaped sofa seat folds into a further double bed. Moreover solar panels on the roof power the lights and a socket to charge cell phones, laptops, digital camera battery etc. The bus outside is a decked area on two levels, a fire-pit on which you can cook in the open air and two level platforms. These can act as tent-pitch areas, proficient to accommodate up to a further four guests if your party is larger, or which could be used simply as places to settle down, take in the view or enjoy a picnic. Some metres away lies a purpose built wooden bath house, containing a flush toilet and a deluxe roll-top bath with shower above. A 2nd wood-burner is installed for those chillier nights and the room comes full with tea-light candles for the special romantic bath experience.








Resplendent Quetzal is Famous For Its Colorful Plumage


The resplendent quetzal is considered world's most beautiful bird mostly finds in vibrantly colored live in the mountainous, tropical forests of Central America where they eat fruit, insects, lizards, and other small creatures. The Resplendent Quetzal belongs to trogon family, and can be found from southern Mexico to western Panama, and it is famous for its colorful plumage. Throughout mating season, male quetzals grow twin tail feathers that form an astonishing train up to 3 feet long. Females do not have long trains, but they do share the radiant blue, green, and red coloring of their mates. However Male colors tend to be more vibrant. The Resplendent Quetzal is Guatemala's national bird, and an image of it is on the flag and coat of arms of Guatemala, and also the name of the local currency. The bird is of great relevance to Guatemalan culture, being a character in the widely popular legend of the local hero Tecún Umán, a prince and warrior of the Quiché (K'iche') Maya during the latter stages of the Spanish conquest of the region. Unfortunately, these striking birds are threatened in Guatemala and elsewhere throughout their range.
The colorful Resplendent Quetzals have a green body and red breast. Their green upper tail coverts hide their tails and in breeding males are predominantly marvelous, being longer than the rest of the body. The main wing coverts are also extraordinarily long and give a fringed appearance. The male bird has a helmet-like crest. The bill, which is fairly covered by green filamentous feathers, is yellow in mature males and black in females. The quetzal skin is very thin and effortlessly torn, so it has evolved thick plumage to protect its skin. Like other members of the trogon family, it has large eyes that adapt easily to the dim light of its forest home. The "song" is a treble syllable described as kyow or like "a whimpering pup", often in pairs, which may be repeated monotonously. Resplendent Quetzals have other unmusical calls as well. Resplendent quetzal pairs use their authoritative beaks to hollow hole nests in rotted trees or stumps. Inside, they take turns incubating 2 or 3 eggs though males have such long tails that they sometimes stick outside the nest. Young quetzals can fly approximately three weeks of age, but males do not begin to grow their long tail plumes for three years.
They are from time to time trapped for captivity or killed, but their most important threat is the disappearance of their tropical forest homes. In a few areas, most notably Costa Rica's cloud forests, protected lands preserve habitat for the birds and provide opportunities for ecotourists and eager bird watchers from around the globe. Such admirers continue a long history of adoration for the quetzal. The bird was sacred to the ancient Maya and Aztec peoples and royalty and priests wore its feathers during ceremonies. Resplendent Quetzals habitually live alone when not breeding. They are monogamous territorial breeders, with the territory size being measured in Guatemala as 6 to 10 ha. They are also seasonal breeders, with the breeding season starts March to April in Mexico.



















Sunday, 1 December 2013

Three Dimensional Goldfish Painted in Layer

Japanese artist Riusuke Fukahori busted out by creating online art scene last year with his three dimensional goldfish paiting by pouring resin. It is extremely interested when he began using resin, and kept it secret for almost eight years untill Riusuke perfected his technique and method. Although several copycat artists emerged, while you can effortlessly tell which ones are Fukahori's just by looking at the container. Each of his fish works are found inside common Japanese household items like bowls and cups. He said; I didn’t invent resin and not the first to use resin. I’m goldfish artist, not resin. I believe it’s clear which pieces are Riusuke Fukahori pieces because the imitators use the wrong containers. They will never understand goldfish the way I do, because they are only copying the craft, not the soul.”

Riusuke Fukahori’s amazing works isn’t the containers they reside in, it’s the special technique I used. I’ve created these hyper-realistic sculptures of swimming goldfish by a slow and meticulous process. First, he pours a layer of resin, lets it dry, and then paints a small portion of the fish on top it, lets it dry, and then pours another layer of resin, repeating this process until he makes a three-dimensional representation of a goldfish. For Joshua Liner Gallery in New York, the talented artist is exhibiting a novel body of work. You can see the Painted Breath to witness what can only be described as a magnificent cross between a painting and a sculpture up close and personal. Now, courtesy of the gallery, here's what you can expect to find.










Saturday, 30 November 2013

The Octopus Tree of Oregon

The Octopus Tree is a huge Sitka spruce situated a few hundred feet from Cape Meares Lighthouse on the Oregon Coast, in the United States. The massive tree is shaped similar to an inverted octopus with branches growing like giant tentacles from its 50-foot base. The octopus tree has no central trunk. Instead, six candelabra limbs extend horizontally from the base as much as 16 feet before turning upward. The tree’s strange shape, according to local historians and Tillamook tribal descendants, comes from the ravages of the wind, but it could also have been man-made. The tree is well believed to be 200 to 300 hundreds years old dating back to when the Indians lived in this area. Indeed, one theory state that the Octopus Tree was shaped like an octopus by the Indians to hold their canoes with their dead in it, and other ritual objects. In past Oregon Coast activist Sam Boardman recognized the tree as one of a number of "Indian Ceremonial Trees" trained over time, a widespread practice of the Coast tribes. The Octopus Tree was particularly venerated, perhaps serving as the gathering site for important Tillamook tribal rites.

Once the Octopus tree was selected, the branches were forced downward toward a horizontal position when they were still flexible, let them to extend about 16 feet from the base. The restrain was then detached and the branch was permitted to grow vertically. Every branch reached skyward to over 100 feet, forming the distinctive shape. Once featured in Ripley’s Believe It or Not, the Octopus tree has been illustrated as one of the modern Wonders of the World. Over the years, this inquisitive spruce has also borne the name “Monstrosity Tree” and “Candelabra Tree”, for obvious reasons. But it is steadily called the Council Tree, a place of reverence where elders once made decisions and where shamans performed ceremonies. These days Octopus Tree is not only a significant site, but also a botanical wonder, the type of tree that increases tourists to make a visiting the attractions detour. A sign board near the tree reads:  "The forces that shaped this unique Sitka spruce (Picea sitchensis) have been debated for many years. Whether natural events or possibly Native Americans were the cause remains a mystery. The tree measures more than 46 feet in circumference and has no central trunk. Instead, limbs extend horizontally from the base as much as 16 feet before turning upward. It is 105 feet tall and is estimated to be 250 to 300 years old." Undeniably one of the most mesmerizing sights to the visitor or resident of Tillamook County is the legendary Octopus Tree, and no matter what the actual age of the tree may be, a visit to the pre-historic tree of mystery is truly a pleasant visit.