Korean artist Yeesookyung is
habitual of collecting shards of discarded porcelain and reconfigured them into
exciting abstract sculptures. Since 2001, called Translated Vase, these stunning
bulbous forms feature a numberless of colors, shapes, and surface designs whose
discrete parts all converge into single towering pieces. In spite of their
mismatched elements, he work feels unified because of their adhesive; she uses
24-karat gold leaf to line the cracks, reminding the Japanese art of kintsugi a
repair method that celebrates the artifact’s history by emphasizing its
imperfections.
Therefore, the translated Vase
was enthused Yeesookyung’s curiosity in a tradition held by Korean artisans as they
finish porcelain works that have slight blemishes in order to keep the infrequency
and value of surviving vessels. However, saving these fragments, she puts them
back together in “the manner of three-dimensional jigsaw puzzles.” Moreover, she
clarifies, “From the moment of destruction, she finds a chance to arbitrate and
formulate new narratives with my own translation.” The pieces reemerge as
hybrids that sphere the past while rejoicing a gorgeously unconventional
future.
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